The Truman Show - cinematography analysis
The
Truman show movie clip: ‘Do something!’ – Cinematography analysis.
The scene begins with an establishing shot where the camera
is positioned facing Truman’s wife ‘Meryl’ from a slightly low angle, this low
angle could be used to initially infer that Meryl will begin talking down to
Truman. The scene cuts to the camera positioned behind Meryl and Truman is
introduced sitting down in this scene. It can be argued that Meryl is standing
in a domineering stance and in a way is attempting to assert aggression over
Truman who is shown as powerless. As the two characters converse the camera
continues to cut between these angles further establishing the divide between
their personalities at the current point in this scene. Truman is shrugged down
in his chair and almost seen as small in perspective to the rest of the setting
(kitchen); this is done intentionally to demonstrate the dismal mood that
Truman is in.
Soon after
this, the camera zooms in on Meryl advertising a coco brand, the use of the
zoom feature is effective as it is commonly used in the advertising industry
and shows immediately to the viewer what Meryl is doing. The camera then cuts
to a close up shot of Truman’s face a shows his reaction to the strange event. After
this Truman stands up from his chair and the viewer is immediately displayed a
change in the characters position of power. The camera uses a panning angle as
it follows Truman whilst they walk across the room.
The camera
quick cuts to an eye level POV shot through Truman’s eyes as Meryl backs away
from him, as the two characters argue the camera cuts from Truman’s POV to
Meryl’s; the camera during this POV utilises a low angle shot to further
emphasise the dominance dynamic between the two. The camera continues to jump
between the two characters perspectives whilst using the pan effect in a
frantic and jerky movement pattern circling around the characters.
Next a high
angle camera shot is used to show the whole actions, characters expression and
movement within the scene. This is effective as the viewer can consolidate what
is happening and can properly assess the situation. The camera then cuts to what seems like a
video recording software placed within the kitchen of Truman and his wife,
during this time Truman has a knife to Meryl’s neck and a threatening situation
is provoked. The use of this camera angle is effective as it shows that the
camera is unnaturally placed and helps built on the plot of the movie. The
camera then zooms onto the faces of Meryl and Truman and causes suspension and
threat to rise.
The camera
then cuts back to a medium range shot of the protagonist before continuing to
pan as they enter a new room. The setting and environment of the scene goes
from light to dark and inviting to cold. The camera begins to use a rapid
tracking shot or possible dolly shot while it follows Meryl as she attempts to
escape through the front door. Meryl is stopped by Truman and a close up shot
of the doorknob is used to establish that someone is trying to force entry into
the house. Truman’s friend Marlon emerges and a series of medium range quick
cut shots take place between Marlon, Truman and Meryl. A close up angle of Meryl’s face is used to
demonstrate her terror to the reader, ultimately the camera cuts back to Truman
with a medium range eye level shot from Marlon’s perspective showing the viewer
Truman’s innate confusion and regret after attacking his partner.
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