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The Truman Show - cinematography analysis

The Truman show movie clip: ‘Do something!’ – Cinematography analysis .     The scene begins with an establishing shot where the camera is positioned facing Truman’s wife ‘Meryl’ from a slightly low angle, this low angle could be used to initially infer that Meryl will begin talking down to Truman. The scene cuts to the camera positioned behind Meryl and Truman is introduced sitting down in this scene. It can be argued that Meryl is standing in a domineering stance and in a way is attempting to assert aggression over Truman who is shown as powerless. As the two characters converse the camera continues to cut between these angles further establishing the divide between their personalities at the current point in this scene. Truman is shrugged down in his chair and almost seen as small in perspective to the rest of the setting (kitchen); this is done intentionally to demonstrate the dismal mood that Truman is in. Soon after this, the camera zooms in on Meryl advertising a co
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Juno (2007) Mise-en-scene analysis

Juno (2007) Mise-en-scene, meaning and camera angles.   Scene 1: “I think it’s best to just tell them” In this scene, the director wants to portray the unavoidably awkward situation that Juno has to face whilst admitting her pregnancy to her farther and step-mother. The director wants the spectator to empathise with Juno and put themselves into the situation of having to admit something so life altering to the family members that are closest to you. The spectator immediately understands and relates to the feeling of being judged due to their actions by those nearest and dearest to them. The setting in this scene is based within the home of Juno and her family, the home is shown to be lived in and loved. This is proved by the amount of child’s drawings and pictures presumably of Juno and her sister as younger children visible throughout the area of the camera shot. The setting of the scene portrays a comfortable and cosy environment as Juno’s parents sit together reclined.
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Love actually: Mise-en-scene, cinematography, sound & editing analysis.

Mise-en-scene The setting of this scene sequence is located in front of the house of Peter and Juliet and the street adjacent to it. The scene portrays an interaction between the characters Mark and Juliet in which Mark reveals his hopeless and forbidden love towards her. Due to the setting being located in a relatively urban area the viewer is shown the whereabouts of where these people live and instantly becomes accustomed to the type of housing visible, the area where this scene takes place is neither poor looking nor particularly wealthy, this infers to the reader that Peter and Juliet are of middle class and helps to further build on their characters by showing their place of living.   As the camera jump cuts between the two characters as Mark pours out his feelings through signs the street behind him is visible. With this scene being based around evening/Night time it is dark outside yet the street that would normally look ominous, due to the lack of other people walking down
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